"If you could touch the alien sand and hear the cries of strange birds, and watch them wheel in another sky, would that satisfy you?" - The Doctor, "An Unearthly Child"

Touch the alien sand....

Touch the alien sand....
Copyright BBC

Tuesday, May 31, 2016

Time Stream #29 - The Tenth Planet



          I’m finding it difficult to be impartial when it comes to “The Tenth Planet.” This story is monumental in Doctor Who history and my first instinct is to just fanboy all over it. My second instinct is to look with a far more critical eye. I’ve not necessarily been shy about saying when I think a Who story is bad (Oh, “Keys of Marinus” and “Galaxy Four”) and I don’t think “The Tenth Planet” is a bad story by any stretch. I really enjoy it, but the problem with it is this: it is not a Hartnell story.

          That is not to imply that it’s not good Doctor Who. In fact, looking at it with 50 years hindsight, it’s a very traditional Doctor Who story. Just not for the First Doctor. Much like “The War Machines” before it, “The Tenth Planet” feels misplaced. It is absolutely a prototype for the Troughton era, even if no one at the time was aware of it. Does that mean I wanted Hartnell’s last story to be a historical, a more “traditional” first Doctor tale? Well, if “The Smugglers” is anything to go by, then probably not.

It’s probably fitting that this story deviates from the standard of Hartnell’s earlier years. The leads of the series aren’t the only things to have changed since November of 1963, the audience changed as well. The world was deep into the space race at this point, and in less than three years mankind would set foot on the moon. The audience wasn’t necessarily looking for history lessons from their space fantasy show, they wanted SPACE ADVENTURE, and Doctor Who was going to give it to them, even if it meant re-working the title character. The needs of the audience had evolved. As much as Hartnell was able to adapt, the show had to be so different from its origins that had he stayed, I think maybe another year is all we would have gotten.

Hartnell’s own illness necessitated his absence from Episode Three and last minute rewrites explaining the Doctor’s collapse. Frankly, as much as the removal of the Doctor in the stories leading up to this have bothered me, this one works. Mind you, it only works because of the denouement. The weakened Doctor collapsing, being out of commission for Episode Three, and then returning for Episode Four to see the story play out, really works because the Doctor “dies” at the end. It rationalizes his weakness as part of his “wearing a bit thin” and doesn’t just spring up from nowhere. Who is often blessed with serendipity, and I truly think it was for “The Tenth Planet.”




That’s enough criticism and meta-data for me on this one. Fan mode is now engaged. Things I loved about this story:

1) Hartnell’s performance. From his line “Why don’t you speak up, I’m deaf!” to his mysterious stagger to the TARDIS before his “renewal”, William Hartnell gave a lot to this story. The Cybermen will admittedly become almost synonymous with the Troughton era, but the Hartnell’s Doctor got drop on them first.

2) The global scale of this story was just great, even if Geneva was a small office looking out on a photograph. Having an international crew at the base performing as stand-ins for the entire rest of the world really worked.

3) The Cybermen design. I think my favorite Cyberman look is yet to come, but the original design can’t be beat. I know the eyeholes are supposed to be black and lifeless, but on the DVD, you can see the actors’ eyes, just barely. Frankly, that makes the creatures more horrifying to me. I even kind of like the voices, although syncing them with the open mouths could have been a little bit more precise.  That’s me picking nits.

4) Was this one of the first, if not THE first instance of a television running an International News Station? I’d love to know who had done it earlier, if indeed anyone had.

5) Yes, I’d love to see a returned Episode Four as much as the next person, but damn, I like the animated reconstruction. It’s comforting that we have the actual regeneration on film and can still see the changeover, but the animation really works well here.

So here we are, a true end of an era in Doctor Who, after which the program will change forever. Twenty-nine stories over the course of three years, during which we watched the Doctor turn from a rather unlikeable, crotchety fellow to an outright hero who stays when he could leave simply because it is the right thing to do. There will never be a portrayal of the Doctor like William Hartnell’s. Every actor to succeed him did so with the knowledge of their predecessor(s) in mind - what to do differently, what to borrow from earlier incarnations. Hartnell wasn’t just “The First Doctor.” Until the last few moments of “The Tenth Planet” he was simply “The Doctor.” After watching his entire run, I feel comfortable saying that no matter what the story, no matter how good or bad the story may have been, no matter which companions he had by his side, William Hartnell was, indisputably, The Doctor.


NEXT EPISODE: The Power of the Daleks

"The Tenth Planet" novelization cover, courtesy The TARDIS Data Core at tardis.wikia.com

Friday, May 13, 2016

Time Stream #28 - The Smugglers



          “The Smugglers” is a lost story in more ways than one. Its episodes are missing from the BBC, so all that survives are the soundtrack, some insanely brief clips, a few 8mm movies of the production (also agonizingly short) and the telesnaps. More than just the physical media, though, “The Smugglers” feels lost in the run of stories which surrounds it. It’s an historical which were being phased out by now – this is the penultimate one - bookended by two pure sci-fi stories. It’s also much more violent than normal, both in what is represented on screen and what is only alluded to. Finally, it’s also not the best performance from William Hartnell. After his rather amazing turn in “The War Machines”, and coming just before his swansong, Hartnell kind of falters a bit here. Whether it was due to illness I can’t say, but the revitalized Doctor from “The War Machines” isn’t really in evidence here.



          This isn’t to say that the story is bad. It’s perfectly serviceable, which is damning with faint praise, I agree. But I think serviceable was the best the production team could hope for at this point. The script by Brian Hayles has every pirate cliché one could want, without doing anything frightfully original with them. Michael Craze and Anneke Wills in their first story as “official” companions spend a lot of time locked up, and in Polly’s case, sent back to the TARDIS. (Just an aside here. I absolutely understand the need for Polly to be disguised as a “lad”. Women didn’t fare well with pirates really. But did anybody think that just some male clothing would make Anneke Wills a convincing boy? I just didn’t believe that the other characters believed it.)

          It may be a downfall of watching a reconstruction, but there seemed to be a lot of characters introduced at the last minute, with the sole intention of killing them off. There’s always going to be cannon fodder, but people would call someone by name, and then minutes later, that new guy is dead. The prime example of this is Jamaica. My notes as I watched it have the line “Jamaica is a troublesome character” because of the racism in his character. Before I could dwell further on it, I have “Aaaand, Jamaica is dead.” Uncomfortable racism aside, he could have been a more memorable character instead of just ending up knifed.

          One thing that I can’t fault in this story is the location work. Evident even in still photographs, the Cornish setting is wonderfully photographed. The beach and cliffs in particular look impressive and couldn’t in actuality be reproduced in a studio with any sort of believability. The indoor sets, particularly the crypt, are also quite well done. It’s been said countless time before, but if there’s one thing the BBC can do consistently well, it’s costume drama.

          “The Smugglers” is, at best, a placeholder story. It helps Ben and Polly establish their characters a little further, and helps four episodes pass by relatively harmlessly. The Doctor’s character isn’t as strong as he has been, but at this point in his tenure, I’ll give William Hartnell a pass on just about anything. (He does have a line fluff here that is now one of my favorites: “You see that scanner? That’s what I call ‘the scanner’.”) I’d love to see these four episodes returned to the archive just for a look at the location footage alone. Otherwise, it’s a story that isn’t the worst of Doctor Who by a long shot, but is, sadly rather forgettable.


NEXT EPISODE: The Tenth Planet

"The Smugglers" novelization cover, courtesy The TARDIS Data Core at tardis.wikia.com